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Tricks of the
Trade:
Purchasing Egyptian Glass Perfume Bottles:
One trip to Egypt is
enough to know that one of the grandest treasure that remains are the
people, and the hand made products they produce are the best you can
find and see in Egypt. There are many varieties of hand made products,
including such items as alabaster objects, painted papyrus, brass and
glassware, among others. Nevertheless, there are some products people
say are hand made but in fact, are not. However, glass perfume bottles
are exclusively hand blown, becoming beautiful works of pure art.
From the earliest
times, Egyptians have worked with glass, and even prior to their
capacity to actually produce this substance, they used a limited amount
of natural glass produced through volcanic action or meteorite impacts
in various jewelry and decorative effects. The Egyptians probably did
not invent man made glass, but they did adapt this technology early on
for their own uses. Initially, it seems that the first examples of
man-made glass from Mesopotamia and Egypt were beads dating from the 3rd
millennium BC.
A formative era in the
history of glass-making is marked by the appearance of the first glass
vessels in the middle of the 2nd millennium BC, again in Mesopotamia and
Egypt. These vessels were made by an ingenious method involving molding
on a core. Since glass-blowing was unknown in this early period, a core
was made in the shape of the desired vessel from a material strong
enough to withstand heating and fireable enough to be removed from the
finished article. Viscous glass was applied to this core. The surface
of the vessel was then decorated with threads of colored glass combed
into ornamental patterns. The vessel was afterwards rolled on a flat
surface and a handle and a base were added. This method required a high
degree of skill. The colors of the glass used in this period indicate
that the makers tried to imitate precious stones such as lapis-lazuli
and turquoise. The making of glass vessels began almost at the same time
in Egypt and in northern Mesopotamia but there are indications that the
core technique was invented in Mesopotamia and introduced into Egypt
later. The heyday of Egypt’s glass industry came in the Amarna period
(first half of the 14th century BC).
Glass vessels were
rare in Palestine and Syria in the Late Bronze Age. And only princes and
the very rich could afford them. Some vessels were dedicated to temples
and shrines. Others were found in tombs. All these vessels seem to have
been imported from Egypt, except for a Mesopotamian conical beaker
discovered at Megiddo.
Casting glass into
molds was only of minor importance during the New Kingdom, but continued
to at least a small extent after core-forming had been abandoned due to
the introduction of glass blowing under the Romans. In the New Kingdom
the Egyptians had all they needed to produce blown glassware: the raw
materials in abundance, aerated furnaces reaching high temperatures and
ceramic blow tubes. Still, glass blowing was not invented until the
first century BC in Syria. Mass production of blown glass objects was
not introduced until Roman times.
Blown glass vessels
were created by sticking a piece of molten glass onto one end of a
blowpipe and through the other end introducing pressurized air into the
pipe. This was done by blowing.
Decorations were added
by pinching the hot glass, adding handles or other features to it like
strands of differently colored glass which could then be pinched to
change simple straight patterns into more intricate ones.
The type of glass
perfume bottles we see today in Egypt are, however, a more modern art,
probably having been made since the beginning of the 19th century. That
was when a resurgence in
the
art form of glass took place. The techniques are now handed down from
generation to generation, usually from father to son, as the profession
is mainly limited to men.
Today, these bottles
are most numerous in the famous Khan el-Khalili market, where one may
find every shape, size, color and ornamentation of such bottles. Of
course, they are also available in almost every location one might find
tourists in Egypt. However, most of the glass factories are located in
Shobra el-Khema, though there are others right in the Khan el-Khalili
and elsewhere. If one is visiting Egypt, it is not difficult to visit
one of these factories, and in fact it is sometimes hard not to, as
vendors will sometimes insistently beg one to do so.
In order to make these
products, the factories first import fine Pyrex glass as tubes in
different textures. Most of these tubs are imported from Czechoslovakia
and Germany. After considering a design, which is sometimes laid out on
paper, but also sometimes in the artist's head, the artist chooses the
best textured tube for his design. Next he draws the design on the glass
tube as a pattern so that the tub can be cut into pieces that fit his
design. Then the magic beings.
The artist begins by
firing the glass and shaping the various pieces of the perfume bottle.
In some instances, several artists may in fact work on the same perfume
bottle each blowing a different part of the design. The fire, which
heats the glass to a very high temperature of 1000 C using pressurized
oxygen, makes the glass very flexible. At this point, the glass is
almost liquid.
Using a number of
small tools, the glass is constantly rotated as the artist blows air
through it quickly and precisely to achieve an exact shape. Afterwards,
another craftsman, with very different handicraft skills, takes over the
bottle in order to engrave the shaped glass with designs. Extra care is
required in cutting into the strong but delicate glass.

Typically, a third
craftsman may apply coloring to the perfume bottle. Most of the colors,
with the exception of gold, are imported either from Germany or Turkey.
Some very beautiful effects may be applied, while solid colored bottles
will be turned on a rotating wheel to distribute the colors smoothly and
evenly without leaving marks or uneven streaks of color. Bottles with
scenes or floral decorations are painted by hand. On better bottles,
gold will next be applied. This is 12 ct liquid gold, which requires
care in its application. Some bottles have gold colored paint and so
are less expensive, but also inferior to and less brilliant than their
counterparts painted with real gold.
After the coloring and
hand painting process is completed the bottles are put into an oven with
a temperature near 500 and 650 C for about half an hour to bake or set
the color on the glass so that it is permanent. Bigger bottles may
take a few hours in the oven before the color is set. Only after this
firing do all the decorative effects become visible. After the bottles
are removed from the oven, they need to be left out to cool. This is
the last step before they are sent to the stores to be presented for
sale.
These beautiful
bottles come in a variety shapes, colors, and sizes, from the very small
to extra large. We may find perfume bottles in abstract designs, or in
the shape of many physical objects such as a variety of animals. There
is also, it seems, an infinite variety of stoppers from simple tear drop
shapes to intricate fish and birds .
However, other glass objects made in the same manner are also available,
such as candlestick holders and oil burners.
What to Look for
There remains a few
factories in Egypt that do not use Pyrex for their perfume bottles.
These companies actually deal with the Cairo garbage people who bring
them all kinds of discarded light bulbs (as well as probably some other
glass objects). This material is then cleaned, and used to produce
perfume bottles that are much more fragile than their Pyrex
counterparts. Because the wall thickness of these bottles is thinner
then those of better quality, tapping on them will produce a sharp,
higher pitch than that of a Pyrex perfume bottle. Such bottles are
usually much simpler and less decorated than Pyrex bottles as well.
Pyrex perfume bottles
themselves may, at times, be badly formed and lean to one side or the
other. These are obvious in shops, but if buying Egyptian perfume
bottles on-line or by mail order, it is important to deal with a
reputable company in order to avoid such flaws. Also, bottles painted
with true gold are fairly easy to distinguish from those decorated with
gold colored paint, for they will lack the brilliance of the former.
Always check the
plunger within the stopper. These may not be very long, but they should
not be broken off with sharp edges, a common problem found on even very
fine perfume bottles after having been shipped. Also, be sure to
carefully inspect the top of tear shaped stoppers, as the very upper
edge can sometimes be damaged.
The best way to keep
the bottle as safe as possible during shipping is to wrap it in a bubble
wrap or cotton within a cardboard box. However, it should be noted that
perfume bottles made of Pyrex are fairly strong.
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